Tag: altered dominant
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Super Locrian Meets the Dastardly Half Diminishedo
What do you play on a minor II in, say, C minor? D half-diminished, some kind of Ab7 or some kind of D7? Do you know the difference? Or, perhaps more importantly, do you know the similarity? This week I’ll look at some ideas from Bill Evans (jazz’s very own Clark Kent, and okay I’ll…
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Using Upper Structures in Solos
The key to using “upper structures” is to observe that simple major and minor triads exist in the upper reaches of altered dominant chords. These structures are often used by pianists and guitarists in chord voicings, but they are also very effective in solo lines. Had you considered that you can play, for instance, an…